Welcome! In this edition of ZanyNews, we’ll explore different ways to create patches using specific modules, from deep bass sounds to atmospheric textures and complex rhythmic patterns. The most exciting part of modular synthesis is that there are no “rules” when it comes to how you connect your modules; every patch is an adventure where sound is the guide.
Here, we’ll show you three types of patches you can try with common modules. Remember, you don’t need the exact modules we mention here; what matters is the function they serve in the signal chain. So, let’s get connecting and exploring!
1. Solid Bass Patch.
This patch aims to create a punchy and present bass sound, perfect for any genre that needs a steady rhythm.
Recommended Modules:
- Oscillator (VCO): Ideally one with basic waveforms like square or sawtooth.
- Low-pass Filter (VCF): To cut high frequencies and add warmth.
- Envelope (ADSR): Controls the shape of the sound.
- Voltage Controlled Amplifier (VCA): Shapes the volume.
Step by Step:
- Generate the Base Wave.
Connect the oscillator’s output to the filter input. Set the oscillator to produce a square wave, which is great for a punchy bass sound with rich harmonics. - Filtering for Depth.
Adjust the filter’s cutoff to low-pass mode. This will remove high frequencies and give the sound a rounder quality. If your filter has resonance, try adding a subtle touch for more depth. - Shape and Dynamics with the Envelope.
Connect the envelope to the VCA and adjust the attack and decay settings. A quick attack and short decay work well for punchy bass sounds, while a longer decay will add sustain. - Final Adjustments and Experimentation.
Modulate the filter cutoff with a second envelope or a low-frequency LFO to add movement. Experiment with different rhythms and play with the filter for variations.
2. Atmospheric Textures Patch.
This patch is perfect for ambient music or soundtracks, where the goal is to create a broad, immersive sound.
Recommended Modules:
- Oscillator: A module capable of generating white noise or soft waveforms.
- Noise Generator: Optional, for adding texture.
- LFO (Low-Frequency Oscillator): For slow modulation.
- Reverb/Delay (external or internal): To spatialize the sound.
Step by Step:
- Create a Soft Base Sound.
Select a sine wave on the oscillator and connect it to the filter. Alternatively, use a noise generator for a more diffuse, textured background. - Modulate with the LFO.
Connect the LFO to the oscillator’s pitch control or the filter to add subtle, slow movement. Set the LFO to a low frequency so the modulation is gradual, like a wave rising and falling. - Spatialize with Effects.
This is where reverb or delay works its magic. Adding generous reverb will help “expand” the sound in space, while a short delay can create subtle echoes, adding to the immersive atmosphere. - Experiment with Filters.
Try adding a high-pass filter to remove the lower frequencies and create a lighter, airier tone. Adjust the cutoff and resonance to further tailor the ambiance.
3. Rhythmic Sequencer Patch.
This patch is ideal for creating rhythmic sequences or arpeggios, perfect for electronic or experimental styles. With the right controls, you can move from a simple rhythm to a complex pattern.
Recommended Modules:
- Sequencer: To program the note sequence.
- Oscillator: Use a sawtooth or square waveform.
- LFO: For additional modulation over time.
- VCA: To shape each step in the sequence.
Step by Step:
- Set Up the Sequencer.
Choose a tempo and program a few notes in the sequencer. Start with a simple pattern (like just 4 steps) and repeat it. You can experiment with the tempo to change the feel of the rhythm. - Shape the Wave.
Connect the sequencer’s output to the oscillator’s pitch control (1V/OCT) so each sequencer step changes the oscillator’s note. Set the oscillator to a sawtooth or square wave, which is great for a sharp, defined rhythmic sequence. - Modulate with the LFO.
Add an LFO to modulate the oscillator’s pitch or the filter cutoff for variation. Adjust the LFO speed to sync or contrast with the sequence’s rhythm. - Add Dynamics with the VCA.
Connect the sequencer to the VCA so that each step has its own unique volume intensity. This adds a “human” touch to the rhythm, with some sounds softer and others louder. - Adjust and Experiment.
Add a low-pass filter to smooth out higher frequencies, or experiment with a delay to add rhythmic echoes. Modify the sequencer pattern as you listen to the sequence evolve for more variety.
Experiment and Have Fun, the Limit is Your Creativity.
Modular synthesis offers an endless world of possibilities, and these are just a few of the many paths you can explore. Don’t be afraid to experiment and try combinations that go beyond the usual. Sometimes, the most interesting discoveries happen when you connect things in unexpected ways.
Remember that specific modules can be replaced with similar ones, and every tweak will make a difference in the final result. The beauty of modular synthesis lies in its flexibility and how it adapts to your own creative style.
Ready to create something unique? We’d love to hear your results! Share your patches on social media using the hashtag #ZanyPatches and discover what other synthesists are creating with their Eurorack systems.
The ZanySignals Team.
